LESSON PAGE. CHARLES
5/4
Thank you for your practice Charles.
Your lesson notes are ready.
Thank you for your practice Charles.
Your lesson notes are ready.
TECHNIQUE and scales. NEW: Level 35/4
Minor scales B minor (all three modes: natural, harmonic, melodic) |
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SIGHT-READING. Volume -2-5/4
Continue from number 41. Also review some of the old ones you have already played. by now you may not remember them and will work as well as brand new exercises. |
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JURY SELECTIONS:
On April 26, Zoom Recital Sign-Up Form and Jury Submission Form will be posted on the Piano Department Performance Week Information page. The forms will remain open until May 10 at 11:59 pm.
TECHNIQUE ROUTINE: SCALES Level 3 |
Which key?
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SONATA in G Major. Beethoven.
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THE ENTERTAINER. Scott Joplin |
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SUZUKI BOOK
Bagatelle by Alexander Tcherepnin
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5/4
Good job. Insert the missing notes, watch the articulations, dynamics and the piece will be ready. Send me a recording if you don't want to wait a month to pass it. |
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Jazz style:
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The Flintstones. Arranged by Gabriel
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Tonal Improvisation
4/20
CHORD PROGRESSION as you wish, in the key you select.
Now instead of chords, develop the LH into arpeggios based on the notes of the chords you are representing. Keep the improvised melody simple.
CHORD PROGRESSION as you wish, in the key you select.
Now instead of chords, develop the LH into arpeggios based on the notes of the chords you are representing. Keep the improvised melody simple.
Previous RepertoryPAUL BRATCHER For Kennedy
BURGMULLER The Limpid Stream BURGMULLER Arabesque Paul Desmond: Take Five Mozart Minuet The Entertainer W.A. Mozart: Rondo Bela Bartok: Teasing Song CLEMENTI SONATINA OP 36 NR 3 IN C MAJOR. 1st mov. Robert Schumann “The Wild Horseman” KUHLAU Sonatina Op 55 Nr 1 Vivace Gurlitt “Little Waltz” ECCOSSAISE BEETHOVEN spiral page 83 COLE PORTER BOOK. Anything Goes
Jury Repertory Fall 2020:
Technique: Etude or scales G Major level 3 Repertory: Musette in D Major by J.S. Bach For Kennedy by Paul Bratcher |
On Reserve:BEETHOVEN G Major Sonata mov. 1
eventually mov 2 | ||||||
PASSED: Jazz style:
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2/23
Passed. We will keep it in your repertory to get it more secure in case we use it for the spring juries.
Watch out the timing of the main theme, it has longer distance between the notes
2/9
Sound: RH involve the entire arm in the production of sound, not just the individual fingers.
LH light, use only as much energy to produce the lightest touch necessary to create sound.
Help the phrases increase and decrease.
Imagine this was part of the music for image (a movie for example). Let's try to create a special environment.
1/26
From the beginning, balance hands and keep melody clearly on top of the layers, with a LH that is more discrete.
Attention to m15 to keep layers differentiated so the rhythm makes sense.
Improvisation well conducted, it matches well the notes from the LH.
Passed. We will keep it in your repertory to get it more secure in case we use it for the spring juries.
Watch out the timing of the main theme, it has longer distance between the notes
2/9
Sound: RH involve the entire arm in the production of sound, not just the individual fingers.
LH light, use only as much energy to produce the lightest touch necessary to create sound.
Help the phrases increase and decrease.
Imagine this was part of the music for image (a movie for example). Let's try to create a special environment.
1/26
From the beginning, balance hands and keep melody clearly on top of the layers, with a LH that is more discrete.
Attention to m15 to keep layers differentiated so the rhythm makes sense.
Improvisation well conducted, it matches well the notes from the LH.