LESSON PAGE. EDELSON |
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JULY 9
LESSON PAGE. EDELSON |
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Include in practice:
Scales and arpeggios of the key signature you are using in the pieces. |
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CZERNY-GERMER EtudesNovember 7
Start reading through exercises 1 and 2. If you feel comfortable, add also numbers 3 and 4. |
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MENDELSSOHN. Songs without Words |
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SATIE. GYMNOPEDIE in G Major (beginning) |
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BACH. Prelude in C Major (WTC-I) (not the whole thing) |
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F. CHOPIN. Fantasia-Impromptu. Only part of the slow section. |
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BEETHOVEN. Moonlight Sonata 1st mov (only the first page)JULY 9
Notes handwritten on the pages at the right margin. ---> |
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M. MUSSORGSKY. Promenade (from "Pictures at an Exhibition" |
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CHOPIN. Nocturne Op.27 Nr2 in Db Major |
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SCHUBERT. Impromptu Op. 142 Nr.3 in B-flat |
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SCHUBERT. Impromptu Op. 142 Nr.2 in A-flat |
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AS TIME GOES BYMarch 28
Excellent job Richard. Add a touch of pedal, refreshing the pedal every time you play a new bass note on the LH |
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Explanation on how to practice building gradual bridges over the pause.
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BEWITCHEDApril 25
Uploaded a large PDF for printing. Worked on the RH melody-chords arrangement LH bass |
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I COULD WRITE A BOOKMarch 28
New strategy:
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Easy to Love |
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Green Dolphin Street |
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I'VE GROWN ACCUSTOMED TO YOUR FACEOctober 5
today we talked about practicing the LH over and over playing the bass+chord to get the motion automatic, and the jumps memorized. Avoid playing the chord using finger #5 whenever possible, so the jump is shorter. Then apply the melody to the bass+chord you just practiced. |
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HOW ARE THINGS IN GLOCCA MORRA |
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9/29
Excellent application of the bass-chords for the entire song. 9/21 UPDATE I have created this exercise for you to practice the application of bass+chords to "Getting to Know You" following the steps: 1- Just play melody on the RH and block chords on the LH 2- LH now will break the block chords into bass + chord. No octave lower necessary. As simple as possible 3- LH now will alternate in the bass the -I- and the -V- to bring more variety to the bass line. All these examples are included in the score here on the right margin. |
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FUTURE PIECES:BEETHOVEN
2nd movement in D Major (I need to find the specific information about it) MOZART Fantasia in Cm BRAHMS Earlier pieces LISTZ portions of famous pieces MOZART KV 545 SCHUBERT Portion of Impromptus ![]()
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GERSHWIN. Intermediate arrangements |
Score with selections:![]()
Love Is Here to Stay |
CLEMENTI Sonatina Op. 36 Nr.1 |
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Priority: INNOCENCE by F. Burgmuller |
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Next lesson: ARIETTA Op12 by E. Grieg |
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Next lesson: WALTZ Op12 by E. Grieg |
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WALTZ OF THE FLOWERS from Nutcracker -Tchaikovsky- |
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FREDERIC MOMPOU. Canción y Danza
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ENRIQUE GRANADOS. Vals Noble 1 through 6. |
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BACH from Well-Tempered Klavier Vol.1
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McDOWELL to a Wild Rose |
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French Suite in G Major Nr.5 by Bach |
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CHOPIN: Mazurka in A minor, Op. 67, No. 4 (Posthumous) |
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LISTZ. Consolation No. 3 |
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AWAYA piece by Gabriel with a lighter harmony and clear melody
SERENITYA calm piece that sounds more cinematic
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INNOCENCE by F. Burgmuller |
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PASTORALE by F. Burgmuller |
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Nocturne in C minor Nr.20, KK. IVb by Chopin |
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PASSED: CHOPIN. Nocturne Op.9 Nr2 in Eb Major |
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PASSED: CHOPIN. Nocturne Op.55 Nr1 in Fm and Nr2 in Eb Major |
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PASSED: CHOPIN. Nocturne Nr18 in C minor |
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NEW: EDWARD GRIEG. Elegie Op38 Nr6 |
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IN PROGRESS: JOHN FIELD. Nocturne in B flat Major |
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BEETHOVEN. Pathetique Sonata (2nd mov) |
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FINISHEDF. CHOPIN. Waltz Op 69 Nr.1 F minor |
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F. CHOPIN. Mazurka Op. 7 Nr.1 |
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F. CHOPIN. Waltz in A minor |
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F. CHOPIN. Waltz Op 69 Nr. 2 in B minor |
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SCARLATTI. Sonata in C |
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J.S. BACH. Partitas |
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SCARLATTI. Sonata in G |
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F. CHOPIN. Waltz Op. 18 |
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BACH. Prelude in D (from WTC vol-1) |
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F. CHOPIN. Nocturne Op.37 Nr.1 |
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IN PROGRESS: GERSHWIN. Rhapsody in Blue. Slow section.
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